19 results where found for «Fernando Z. Maldonado»

Words for Julia (Palabras para Julia)

Music piece by:
José Agustín Goytisolo (lyrics) and Paco Ibáñez (music)
Testimony by:
Amelia Negrón
Experience in:
Campamento de Prisioneros, Tres Álamos, 1975 and 1976, until the closure of Tres Álamos
Tags:
« There were so many of us women prisoners. Despite the circumstances, we had managed to invent our own world, one with our rules, according to what we thought and wanted for ourselves, our families and all the Chilean people. »
[...]
« Introduction by Ana María Jiménez<i>: 'We are going to sing a song that for us, former prisoners, has great significance. This is 'Palabras para Julia,' a song with lyrics by José Agustín Goytisolo and music by Paco Ibáñez. It speaks of strength, love, resistance, and it became the anthem of the women of Tres Álamos. With it, we greeted those who arrived and said goodbye to those who were freed. With it, we remember and want to share it with you today.' »
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Lucky Devil (El suertúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
Tags:
« This cueca was composed at Chacabuco sometime between November 1973 and February 1974 and was sung by Los de Chacabuco, of which Víctor Canto and I were members. »
[...]
« This cueca was secretly recorded at Chacabuco by Alberto Corvalán Castillo, son of the Communist Party secretary-general Luis Corvalán, with assistance from Guillermo Orrego and Domingo Chávez. Alberto was to die in Bulgaria as a consequence of the torture to which he had been subjected at the National Stadium’s velodrome that caused him irreparable heart damage. »
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A Cocky Fellow (El puntúo)

Music piece by:
Víctor Canto and Luis Cifuentes (lyrics), Roberto Parra (music)
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
Tags:
« This cueca was composed in Chacabuco between November 1973 and February 1974, and was sung by the band Los de Chacabuco, to which Víctor Canto and I belonged. »
[...]
« This cueca was secretly recorded in Chacabuco by Alberto Corvalán Castillo, son of the Communist Party's Secretary-General Luis Corvalán, with help from Guillermo Orrego and Domingo Chávez. Alberto died in Bulgaria from permanent heart damage caused by torture suffered at the National Stadium velodrome. »
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Casida of the Dark Pigeons (Casida de las palomas oscuras)

Music piece by:
Federico García Lorca (words), Paco Ibáñez (music)
Testimony by:
Luis Alfredo Muñoz González
Experience in:
Campamento de Prisioneros Cuatro Álamos, February - March 1975
Tags:
« According to scientists, memory and music processing are situated in a deep, ancestral part of the brain, where it is zealously guarded. »
[...]
« “No, they won’t kill you”, I told her. “That will be me, not you”. I told her this almost without thinking. After a long silence, La Jovencita said: “I feel very sad and very lonely. Would you sing to me … that song you sang the other night, the one about the doves?”. She was referring to 'Casida de las Palomas Oscuras', a poem by García Lorca with music by Paco Ibañez. »
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Creole Mass – Gloria (Misa criolla - Gloria)

Music piece by:
Ariel Ramírez
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November – December 1973
Tags:
« As far as I remember (and there may be other versions), Los de Chacabuco band was founded by Ángel Parra in response to a request by the Army chaplain Varela, who asked for assistance for the Mass he celebrated for both prisoners and soldiers. »
[...]
« Our first musical presentation was the Creole Mass by Ariel Ramírez. We sang this version until it was replaced by one of Ángel’s compositions written in Chacabuco. »
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You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
Campamento de Prisoneros Ritoque, February 1975
Tags:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« Armando, a medical student who was a good guitarist, contributed arpeggios and musical phrases with a nod to jazz. Manuel chipped in on his recorder with an arrangement that sounded interesting. Pedro, who was very experienced in percussion on his bongo, provided the rhythm. Jaime wrote the lyrics of the song. Lastly, he and I produced the vocals. »
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We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Héctor Salgado
Experience in:
Cárcel de Concepción / Cárcel El Manzano, December 1974
Tags:
« I would like to add, to the testimony of Alfonso Padilla, a picture of the musical group that performed the Joan Baez</n> song, 'We Shall Overcome'. This group was formed and led by Alfonso Padilla during his time in prison. I was one of the first guitar students of Padilla. »
[...]
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Moments (Los momentos)

Music piece by:
Eduardo Gatti
Testimony by:
Scarlett Mathieu
Experience in:
Campamento de Prisioneros, Tres Álamos, 1974
Tags:
« ‘Moments’ was a song sung by the female comrades whose partners were imprisoned on the other side of Tres Álamos, or were fugitives or disappeared. We all sang it, but it was like their anthem. »
[...]
« We sang a lot ‘Palabras para Julia’ by Goytisolo and Ibáñez, ‘De cartón piedra’, ‘Lucía’ and ‘Vagabundear’ by Serrat, and ‘A los bosques’ by Lavandenz. »
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The Dance of Those Left Behind (El baile de los que sobran)

Music piece by:
Los Prisioneros
Testimony by:
Eduardo Andrés Arancibia Ortiz
Experience in:
Cárcel de Santiago, 1986
Tags:
« I learnt about Los Prisioneros through the 'Hecho en Chile' programme on Radio Galaxia, presented by Sergio 'Pirincho' Cárcamo. Their music became our trench and musical poetry, like all other forms of struggles against dictatorship. »
[...]
« I was already listening to the 'Nuestro Canto' programme presented by Miguel Davagnino on Radio Chilena in 1976. From 1986 I listened to the music dissident to the dictatorship on Radio Umbral, played by the late Pedro Henríquez. This was the radio panorama that allowed us to hear the voices and sounds of resistance. »
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